Joe Farace and his "fire engine" red and gold Tiltall. Dont ask! But it does help that Joe is a regular contributor to Shutterbug, Professional Photographer and has written more than 1600 magazine articles and 30 books on photo matters. [photo: Mary Farace]
If you have a photo of yourself with your Tiltall with a short bio, email it to me at garyregester(at)gmail.com and I will post it here.
History, exploded drawings and answers to questions about the classic Marchioni Tiltall and its descendants. With link to replacement parts sales - please read on through the blog posts and take a look at the parts page - an ADDRESS is needed with parts orders! Questions, comments and orders ONLY via order link. ENLARGE all photos with a click!
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Thursday, November 26, 2009
Tuesday, November 10, 2009
Irving Penn - Tiltall photographer, dies at 92
NEW YORK, NY (AP).- Irving Penn, whose photographs revealed a taste for stark simplicity whether he was shooting celebrity portraits, fashion, still life or remote places of the world, died Wednesday, October 7, 2009 at his Manhattan home. He was 92. The death was announced by his photo assistant, Roger Krueger. Penn, who constantly explored the photographic medium and its boundaries, typically preferred to isolate his subjects — from fashion models to Aborigine tribesmen — from their natural settings to photograph them in a studio against a stark background. He believed the studio could most closely capture their true natures.
Between 1964 and 1971, he completed seven such projects, his subjects ranging from New Guinea mud men to San Francisco hippies.
Penn also had a fascination with still life and produced a dramatic range of images that challenged the traditional idea of beauty, giving dignity to such subjects as cigarette butts, decaying fruit and discarded clothing. A 1977 show at the Metropolitan Museum of Art presented prints of trash rescued from Manhattan streets and photographed, lovingly, against plain backgrounds.
He stumbled into the job almost by accident, when he abandoned his early ambition to become a painter and took a position as a designer in the magazine's art department in 1943. Staff photographers balked at his unorthodox layout ideas, and a supervisor asked him to photograph a cover design.
The resulting image, on the Oct. 1, 1943, cover of Vogue, was a striking still-life showing a brown leather bag, a beige scarf, gloves, oranges and lemons arranged in the shape of a pyramid. More of AP article. . .
Ongoing Penn "Small Trades" exhibition at the Getty LA $50 show catalog here for ~$33.
Posted by Gary Regester at 7:05 PM
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